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Raymond Chandler, 1939
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The Big Sleep
Raymond Chandler, 1939
GenevaBookClub: "Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid....He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual. Selected as one of Time Magazine's All-Time 100 Novels, with the following review: "'I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be.' This sentence, from the first paragraph of The Big Sleep, marks the last time you can be fully confident that you know what's going on.
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Umberto Eco, 1980
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The Name of the Rose
Umberto Eco, 1980
GenevaBookClub: Eco’s first novel. Not only an intricate detective story. Combining semiotics in fiction with biblical analysis, medieval studies, and literary theory. In 1327 a young Benedictine novice, Adso of Melk, and a learned Franciscan, William of Baskerville, visit a Benedictine monastery in northern Italy for a theological debate. The abbot, Abo of Fossanova, asks William to look into the recent death of the illuminator Adelmo of Otranto, who fell from the octagonal Aedificium, which houses the abbey’s labyrinthine library. “Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we mustn't ask ourselves what it says but what it means”. The meaning of “truth” from theological, philosophical, and historical perspectives The power of words and interpretation. The power of the culture and the reading.
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