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Fyodor Dostoevsky, 1970
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The Idiot
Fyodor Dostoevsky, 1970
Mehran: Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.
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Charles Dickens, 1859
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A Tale of two Cities
Charles Dickens, 1859
Wormaus: After eighteen years as a political prisoner in the Bastille, the ageing Doctor Manette is finally released and reunited with his daughter in England. There the lives of two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil roads of London, they are drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror, and they soon fall under the lethal shadow of La Guillotine.
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Mikhail Bulgakov, 1960
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The Master and Margarita
Mikhail Bulgakov, 1960
Mehran: An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.
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George Orwell, 1949
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1984
George Orwell, 1949
Mehran: Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmarish vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life—the ubiquity of television, the distortion of the language—and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written.
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Gustave Flaubert, 1856
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Madame Bovary
Gustave Flaubert, 1856
Mehran: Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent devourer of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and when real life continues to fail to live up to her romantic expectations, the consequences are devastating. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857. It was deemed so lifelike that many women claimed they were the model for his heroine; but Flaubert insisted: 'Madame Bovary, c'est moi
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Nicolo Machiavelli, 1532
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The Prince
Nicolo Machiavelli, 1532
Mehran: Machiavelli composed The Prince as a practical guide for ruling (though some scholars argue that the book was intended as a satire and essentially a guide on how not to rule). This goal is evident from the very beginning, the dedication of the book to Lorenzo de’ Medici, the ruler of Florence. The Prince is not particularly theoretical or abstract; its prose is simple and its logic straightforward. These traits underscore Machiavelli’s desire to provide practical, easily understandable advice.
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Charles Darwin, 1859
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On the Origin of Species
Charles Darwin, 1859
Mehran: Darwin's theory of natural selection issued a profound challenge to orthodox thought and belief: no being or species has been specifically created; all are locked into a pitiless struggle for existence, with extinction looming for those not fitted for the task. Yet The Origin of Species is also a humane and inspirational vision of ecological interrelatedness, revealing the complex mutual interdependencies between animal and plant life, climate and physical environment, and—by implication—within the human world.
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Virginia Woolf, 1929
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A Room of One's Own
Virginia Woolf, 1929
Mehran: An extended essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.
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Karl Marx, 1848
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The Communist Manifesto
Karl Marx, 1848
Mehran: The Communist Manifesto summarises Marx and Engels' theories concerning the nature of society and politics, namely that in their own words "The history of all hitherto existing society is the history of class struggles. It also briefly features their ideas for how the capitalist society of the time would eventually be replaced by socialism. In the last paragraph of the Manifesto, the authors call for a forcible overthrow of all existing social conditions, which served as a call for communist revolutions around the world.
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wormaus, 2020
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7 mouses again
wormaus, 2020
Wormaus: This entry is only for testing, lets see if its work proper.
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Adam Smith, 1776
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The Wealth of Nations
Adam Smith, 1776
Mehran: An Inquiry into the Nature and Causes of the Wealth of Nations, generally referred to by its shortened title The Wealth of Nations, is the magnum opus of the Scottish economist and moral philosopher Adam Smith. First published in 1776, the book offers one of the world's first collected descriptions of what builds nations' wealth, and is today a fundamental work in classical economics. By reflecting upon the economics at the beginning of the Industrial Revolution, the book touches upon such broad topics as the division of labour, productivity, and free markets.
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Miguel de Cervantes Saavedra, 1605
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Don Quixot
Miguel de Cervantes Saavedra, 1605
Mehran: Don Quixote has become so entranced by reading chivalric romances that he determines to become a knight-errant himself. In the company of his faithful squire, Sancho Panza, his exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together, and together they have haunted readers' imaginations for nearly four hundred years. With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. The book has been enormously influential on a host of writers, from Fielding and Sterne to Flaubert, Dickens, Melville, and Faulkner, who reread it once a year, "just as some people read the Bible.
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